In fact, it can hinder your chances of being taken seriously if you include an out-of-state address that doesn't fall within the geographical reach of Los Angeles. There is never any need for you to include your mailing address. Your name, email address, and phone suffices. If you do not have representation, you should include your personal contact information so that anyone who reads your script can contact you at any time. Note: If you have representation, their contact information takes the place of your personal contact information (see below). Including your representation's name, company name, email address, and phone number suffices. Don't make the mistakes that many screenwriters have made, as far as creating fake representation contacts or including real names of esteemed companies, agents, and managers that have not signed you as a client. You always want to be sure not to falsify this information. This gives the reading individual or company an instant reference to contact. If an agent or manager represent you, their contact information should be shared in the lower left-hand corner of the screenplay.
When in doubt as to the exact percentage of contribution, or if that percentage is deemed as equal, the names are listed chronologically. The most substantial contributors are usually featured first unless the prearranged order is dictated by the screenwriters’ contracts beforehand. When you see the ampersand symbol between screenwriter names, that symbol is connecting them as a writing team. In some cases, those writers could have worked together to form the final draft, but usually, this points to different screenwriters attached at different times for different drafts. When the word and is found in between the names of two or three different screenwriters, that credit is identifying two or three different writers that were attached to the project during separate drafts.
#CREATE TITLE PAGE FINAL DRAFT 7 HOW TO#
Read ScreenCraft's How to Understand Confusing Screenwriter Onscreen Credits! Name of Writer(s)Īny writers that contributed to at least 33% of the screenplay (Writers Guild of America standards for onscreen credit) should be listed under the "Written By" and "Story By" line, whichever is applicable and any variations thereof. If someone provided the concept for the story of the screenplay but didn't actually write the script, this information should be provided.
Variations include "By" or "Screenplay By" Story By Overall, this is what most title pages should have under the actual title of the script (see example at end of this article). Research material, depending upon how much is used, does not deprive the screenwriter of this credit. this credit cannot be used because it refers to the fact that the credited writer(s) is the originator of the film’s story. If there is ever pre-existing source material for the screenplay - short story, novel, graphic novel, etc. This information is used when the writer or writing team is entitled to both the “Story by” credit (see below) and the “Screenplay by” credit. The general information that goes along with that title, including the name of the writer(s) involved, their representation, and their contact number, are essential for networking and contact information. Read ScreenCraft's How to Write Screenplay Titles That Don’t Suck! It can win someone over right away or turn them off instantly. It's important because a great title is also a key marketing factor of your script. The title announces the identifier of your screenplay - no different than your given name that people use to refer to you. The Purpose of a Title PageĪ title page offers general information regarding the screenplay. In our latest installment of Screenwriting Basics, we cover, well, the cover of your screenplay - the title page.
#CREATE TITLE PAGE FINAL DRAFT 7 FREE#
Learn the best way to structure your screenplay with this free guide. But when you're dealing with an industry that is looking for any and all red flags that make your script stand out in a negative way - primarily as a filtration method - it's best to take everything into account and do your best to avoid even the smallest of red flags. Will the title page make or break the read of your script? No. That first impression sets the stage for what they are about to read. The title page of your screenplay is the first thing an industry insider sees when they receive your script. What should and shouldn't be on your script's title page - and why?